Music in the camps
Music was an integral part of the concentration camp world, Nazi and otherwise. What kind of music was composed and performed, and what exactly was its role in the camps? A factor of survival and resistance for the prisoners, a way for them to express their hope and their humanity - or, on the contrary, an instrument of oppression exploited by the executioners? What is the function of music in the work of memory following the experience of extreme violence and suffering? This dossier proposes to explore these issues.
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