• Frédéric Crahay (Executive director of Remembrance of Auschwitz): Voyage de mémoire à Lyon (pdf)

 

• Frédéric Crahay (Executive director of Remembrance of Auschwitz): Voyage d'études à Moscou (pdf) [Study visit to Moscow]

 

• Marta Marín-Dòmine (Centre for Memory and Testimony Studies, Laurier University, Waterloo-Toronto): La transmission et la construction de l’espace transgénérationnel (pdf)
  
  The article, written as a personal memoir and essay, wants to reflect on transmission questioning the notion of “filiation” while asserting the importance of accepting the past as heritage. In doing so, the author dialogues with the unpublished memoirs written by a child who experienced the Spanish war, in fact her father, to show the traces it has left in her way to reconstruct the past. The article stresses the need to rethink the effects that deterritorialised memory, the memory of exile, has in our present, as well as that of those who after being in exile had to re-enter Spain little after the end of the war.

 

• Gabriel Raichman (IAD, Louvain-la-Neuve): Au-delà d’une morale de la représentation, un nouveau rapport à la mémoire (pdf) [Beyond a legal representation, a new report to the memory]

 

• Vincent Petitjean (CELIS): Rithy Panh : un art de la Mémoire (pdf)

 

 

2012

• Andreas Huyssen (Columbia University, New York): Le théâtre d’ombres en tant qu’instrument de la mémoire dans l’art à travers le monde (pdf) / The Shadow-play as Medium of Memory in Global Art (pdf)

 

• Judith Lindenberg (EHESS): L’Institut historique juif entre histoire et modernité (pdf) [The Jewish Historical Institute between History and Modernity]

 

• STUDY: Philippe Mesnard (Remembrance of Auschwitz): La fiction et ses dispositifs à l’épreuve des Sonderkommandos (pdf) [Fiction and its Devices at the Use of the Sonderkommandos]

 

• Matthias Steinle (New Sorbonne University – Paris 3): “Nous avons tous souffert”: l’usage des signes de la Shoah dans les docufictions allemands contemporains (pdf) [“We have all suffered”: the Use of the Signs of the Holocaust in Contemporary German Fictious Documentaries]

 

• André Dartevelle (Director): Avenue Louise 347. Dans les caves de la Gestapo (pdf) [Avenue Louise 347. In the cellars of the Gestapo]

 

 

2011

• Geneviève Van Cauwenberge (University of Liège): “The Atomic Café”: propagande ou contre-propagande? (pdf) [The Atomic Café: Propaganda or Counter-propaganda?]

 

• Vincente Sanchez-Biosca (University of Valencia): La Terreur des images. L' “occupation rouge” dans la propagande franquiste pendant la guerre civile espagnole (pdf) [Terror in Images: the “Red Occupation” in Francoist Propaganda during the Spanish Civil War]

 

• Philippe Mesnard (Remembrance of Auschwitz): Le voyage comme passage (pdf in French) – De reis als overgang (pdf in Dutch) [Journeys as Transmission]

 

• Frédéric Crahay (Remembrance of Auschwitz): Conference on the Mostar Friedensprojekt at Potsdam (pdf in French) – (pdf in Dutch) – Photos

 

• Dénissa Baudouin (Remembrance of Auschwitz): Summary of the one-day conference: “Remembrance Visits to Auschwitz in the Past, Present and Future - With- Criticisms”(pdf in French) (pdf in Dutch)

 

• Johan Puttemans (Remembrance of Auschwitz): Le Mostar Friedensprojekt à Riga (pdf) [Mostar Friedensprojekt at Riga]

 

• Remembrance of Auschwitz: 1930-1942. Mémoire Juive du quartier Marolles-Midi. Bruxelles (pdf) [1930-1942: Jewish Memories of the Marolles-Midi District of Brussels]

 

 

2010

• Marianne Hirsch (Professor of English and Comparative Literature – Columbia University): Images rescapées: les photographies de l'Holocauste et le travail de post-mémoire (pdf) [Surviving Images: Photographs of the Holocaust and the Work of Post-remembrance]

 

• Claudia Feld (Consejo Nacional de Investigaciones Cientificas y Tecnicas (CONICET) / Instituto de Desarrollo Economico y Social (IDES) – Buenos Aires, Argentina): Image, mémoire et disparition en Argentine (pdf) [Image, Memory and Disappearance in Argentina]

 

• Yves Ternon (Historian. Doctor of History, University of Paris IV–La Sorbonne): Présentation historique du Génocide arménien [Historical Presentation of the Armenian Genocide]

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• Yael Munk (Department of Literature, Open University, Israël): Waltz with Bashir. A Lebanon War Story : lorsqu'un film se transforme en roman graphique (pdf) [When a Film Becomes a Graphic Novel]

 

• Vincent Marie (University of Montpellier III): La fabrique d'un imaginaire du génocide tutsi dans la bande dessinée « Déogratias » de Stassen (pdf) [An Imaginary Reconstruction of the Tutsi Genocide in the Comic Strip: Stassen’s “Déogratias”]

 

• Isabelle Delorme (history teacher, Lycée Montaigne, Bordeaux): Le génocide arménien. De la reconnaissance sur la scène internationale à son émergence dans la bande dessinée : histoire d'une rencontre mémorielle (pdf) [The Armenian Genocide from its International Recognition to its Emergence in the Comic Strip: the Story of a Meeting with Remembrance]

 

• Catherine Ojalvo (Doctor of general and comparative literatuve, University of Paris VIII-Vincennes Saint-Denis): Séra face à la mémoire cambodgienne : le noir de la mémoire (pdf) [Séra Confronts Cambodia’s Past: Remembrance in Black]